Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Sunday, July 08, 2018

Steve Sneyd (1941 - 2018): In Memoriam


Photograph © 2001, Gerald England.

people who have vanished
pressed into poems in small defunct magazines
still breath sometimes athwart my dreams

so wrote Steve Sneyd in Tributary Fractions which I published in The Hallamshire & Osgoldcross Poetry Express back in 1973.

Photograph © 2018, Gerald England.

Last week I said goodbye to him as he was buried at the Rose Hill Burial Ground,
a non-denominational site for natural burials at Birkby above Huddersfield. His family, local friends and various people from the small press world including Andy Darlington, John Francis Haines, J C Hartley, Pete Presford and Chris Reed, gathered under the shade of a large tree in the grounds. We heard about his life, his work and his achievements, listened to some of his poetry and paid our respects.

Photograph © 2018, Gerald England.

I first knew Steve when he was publishing Ludd's Mill and I had started Headland. We both contributed to a large number of the so-called "little magazines" that proliferated in the small press world of the 1970s and into the millennium.. In the pre-internet era they became a network through which poets communicated with each other. We met up at conventions around the country in Liverpool, Dartford, Norwich, Corby, Middlesbrough, Hastings, Newcastle and elsewhere. The photograph at the top of the page was taken at the Purple Patch convention hosted by Geoff Stevens in Sandwell. There Steve gave a talk on The Inclusion Of Poetry In Novels.


I've published numerous poems by Steve Sneyd over the years and in 1992 his collection A Mile Beyond The Bus. which was illustrated by Ian M Emberson (1936 - 2013).

Photograph © 2018, Gerald England.

Despite have a huge interest in science fiction he was something of a luddite when it came to the internet. However he was a regular contributor to Comopoetry coordinated by Andrei Dorian Gheorghe from Romania. His contribution to their Through the Light anthology was:
IN DESPITE OF PROSPERO

Fall of Ariel
this high brightness coming fast
to free Caliban

***

PHILAE CALLING

from the comet’s shadow
pod voice back so long
"I’m still really yours"

-by Steve Sneyd (UK, laureate of the Peterson Trophy, director of Hilltop Press, editor of Data Dump)

Learn more about Steve and his work in the International Times.

He will not be forgotten.


Saturday, January 09, 2016

Sons of Camus Writers International Journal 2015



My contribution to the 2015 edition of Sons of Camus Writers International Journal 2015 marking the 70th anniversary of the end of World War II is this image of the Monument at Lakki in the White Mountains, Crete.

It is printed on the inside of the back cover opposite a poem by Changming Yuan

STANDING, WE ARE UNITED

on the only rock found in this waste land
let's arise, arise high against the sky
by standing on the shoulders of each other
not only to re-find the same and one
language we used to speak in Babel
not only to see further than Wang Zhihuan
after he climbed to another storey, or
than Newton on the shoulders of giants
but to use our own bodies as a totem pole
in honour of the tens of millions of civilians
slaughtered in Nanjing, murdered in Auschwitz
and killed in numerous villages and towns
from eastern China to western Europe

hey, do you see the spectre drifting around
right above Yasukuni Shrine as Abe
and his followers pay tribute to the war criminals?

© Changming Yuan

In Russia during WWII, up to 35 million people were killed. Russian V-Day 9 May 1945.
In China during WWII, more than 20 million people were killed.
Chinese V-Day 3 September 1945.
In both cases, many were civilians, unarmed and unprepared.

You can read more poems by Changming Yuan on his blog yuanspoetry©.

The 200 page journal (ISSN 1705-429X) is edited by Ann J Davidson and published by Rubi Andredakis (email roubi@cytanet.com.cy) from Rubini Publications, Gropius Street No 30, Limassol 3076, Cyprus. Price Euro 9; UK £6; USA $10; Canada $15 (including shipping)

There is a wealth of reading, poems, essays, fiction, reviews in the new volume. Other contributors include Raymond Humphreys, Herbert Kuhner, Neil Leadbeater, John Light, Morelle Smith, Sam Smith, Maureen Weldon and a host more.

A contribution to The Weekend in Black and White.

Friday, September 20, 2013

The Still Point


The Still Point is a sculpture carved from Cumbrian sand stone by Colin Spofforth commissioned by Argent Group in 2008 and installed in 2009.

It is found somewhat hidden within the courtyard of the Piccadilly Place group of highrise offices between London Road and Aytoun Street, Manchester.

Four figures represent human forms whilst remaining stone like. The 2m tall figures stand within a polished granite circle. Around the base is a quotation
"At the still point of the turning world. Neither the flesh nor fleshness. Neither from nor toward; at the still point, there the dance is, but neither arrest nor movement. Where the past and future gathered. T.S.Eliot."
See a fuller view of the sculpture on sithenah.

A contribution to Weekend Reflections and The Weekend in Black and White.

Thursday, January 10, 2013

In Memoriam: John Elsberg (1945-2012)

JOHN ELSBERG: CAM

(for Connie)

Cycling by the river Cam,
through weeds as high as our thighs,
wheels pounding over
the narrow path,
we stopped,
and letting the cycles fall into the grass,
we sat beside the still water ...
Thus begins this poem by John Elsberg which I published in issue 3 of Headland.

I published another of his Cambridge poems in issue 6 - view it on Pickings

John was studying in Cambridge and I visited him, unannounced, in September 1970.


Connie had just given birth to Steve and I penned this haiku
the newly-born child
capturing his parents' love -
the frightened cat sulks
See my Collected Works for publication credits.

I stayed a couple of days and pitched in by doing the cooking while John and Connie fussed over the baby.

The following year they came up to my parents' house in Yorkshire for a holiday and one day I took them over to Filey to meet George Cairncross (the "East Coast Recluse") who edited the magazine "Bogg".

John became firm friends with George and after he returned to the States, he produced an American issue of the magazine and eventually took it over.

Read Pat Jourdan's review of Bogg ##73/74 [dble issue].

In 1999 I published his chapbook Sailor: sample poem Complexities


On the cover was an original design by Wayne Hogan.

John died in July 2012 but I only just heard this news earlier in the week via John F Haines' "Handshake".

There is a good account of his life with various reminiscences by Jim Kacian, Richard Peabody, David Geisman, Ron Androla, and others on Issa's Unity Hut, the poetry blog for Lilliput Review.

There is a tribute by Wilson Wyatt on first person plural.

There is a memorial book of condolence on the Dignity Memorial website.

You can read a review by Patricia Prime of his collaboration with David Check, "South Jersey Shore" on NHI Review and also a review by Martin Grampound of his "Haiku Fan" A Week in the Lake District.

I published a new version of John's poem "Cam" in Editor's Dilemma. Here is how the poem ends ...
I laid my head
upon her lap, against her breasts,
and she rocked
in a cadence
without words.
So simply . . .

And then, content, I knew
of the harmony
in small graces, of the rareness
that comes so suddenly
with complete moments.
of the trust in silences
that belie the world:

soft pillows laced
with plucked dreams
and lost time.

JOHN ELSBERG

Wednesday, September 05, 2012

ABC Wednesday:
H is for Hemingway


Gwyllam Williams wrote on his Poet in Residence blog
I don't imagine for two seconds that it'll be easy finding too much poetic phraseology in the works of Ernest Miller Hemingway. His work in general is without the ingredient we like to call poetic quality. Some have called it reportage. He has many imitators. Some good. Some bad.
I commented then
I've got a copy of a small booklet of poems by Hemingway somewhere - published (if I recall correctly) by Lawrence Ferlinghetti in California c.1966
I've since fished it out and see the date is actually 1960.

Al Filreis in his blog 1960 comments
Over the years there have been nine unauthorized editions of the poems. All or most of these editions contain 18 poems, which are most of the poems Hem wrote and published while he was living in Paris in the 1920s. The critical response to his verse is mostly based on the pirated editions, which are filled with errors.

One of these unauthorized editions was published by City Lights in San Francisco in 1960. It sold for 50 cents.
The pirated edition is advertised on Amazon at $45.99 (new) or 8 used from $4.99

My copy has 21p in pencil inside the front cover. I suspect I picked it up for that meagre sum, probably from a bookshop in the Shambles in York. It used to have a room full of little pamphlets that you could rummage through.

This poem is dated February 1925
THE AGE DEMANDED

The age demanded that we sing
And cut away our tongue.

The age demanded that we flow
And hammered in the bung.

The age demanded that we dance
And jammed us into iron pants.

And in the end the age has handed
The sort of shit that it demanded.

ERNEST HEMINGWAY
Hemingway aficionados might like to check out Paul E Stolle's blog Hemingway's Paris

For ABC Wednesday.

Sunday, July 01, 2012

International Olympicosmpoetriada

EARTH AND SKY

This astro-photo-art-poem by Arlene Carol (USA, residing in Turkey) precedes my astrohaiku in the latest web production by SARM MASTER FESTIVAL (PART II OF MASTER OLYMPICOSMOPOETRIADA)

***

across light years
googols of radio waves
oscillate

Gerald England


The anthology of super photographs and poetry also includes

ESCAPING QUESTION

Whispers her dream snake
tongue licked up from pyramid
peak caught fly wise fall
of meteor swallowed spark
reawake mummy's goodbye smile

by Steve Sneyd

SIGNALS, DEDICATED FROM THE SKY

In the picture above, on the bottom left, you see the lunar disk. Ufo Analyzer software has classified the fireball as belonging to the class "J5_And" Andromenidi with estimated magnitude, but perhaps underestimated: - (minus) 4.5!
Latitude and Longitude of observing station:
Lat 46.933300 North
Long 26.366600 East
Date of sighting: 19th November 2011

image © Alfredo Caronia (Italy,
co-discoverer of 5 asteroids, established in Romania)

is followed by

3.3.12

I missed the fireball streak across the sky
That set alarm calls ringing across the land
As people thought a plane was crashing, or
A UFO had brought aliens from on high
(Their mission to invade had long been planned)
But, most likely it was just a meteor.

by John Francis Haines

Another contribution by Steve Sneyd is

TANKA

Twin suns death dancing
tear gobbets of hot flesh : shared
world pretends nothing
much just presents a gain who
hurl harmless lost meteor dreams


Valentin Grigore's VENUS AND JUPITER OVER TARGOVISTE, 15th March 2012

is followed by

twilight
an incoming jet flies by
Venus twinkles

Gerald England

All of this is just a minute part of the International Olympicosmpoetriada coordinated by Andrei Dorian Gheorghe and Valentin Grigore of the Romanian Society for Meteors and Astronomy.

Wednesday, February 29, 2012

ABC Wednesday: G is for
Groatsend Found Sound Poem by Gerald England

This is an illustrated version of my Groatsend Found Sound Poem written in 2004 and first published in the FIFTH INTERNATIONAL ANTHOLOGY ON PARADOXISM (Vâlcea, Offsetcolor, 2007).

SW3425 : Lands End by Paul Allison
Lands End

  © Copyright Paul Allison and licensed for reuse under this Creative Commons Licence.


SW4029 : Lane junction & bus-stop at Grumbla by Row17
Grumbla

  © Copyright Row17 and licensed for reuse under this Creative Commons Licence.


SW6338 : The Village of Barripper by Tony Atkin
Barripper

  © Copyright Tony Atkin and licensed for reuse under this Creative Commons Licence.


SX0458 : Luxulyan Stones by Gerald England
Luxulyan

  © Copyright Gerald England and licensed for reuse under this Creative Commons Licence.


SX3374 : Winter snow at Bray Shop by Trevor Rickard
Bray Shop

  © Copyright Trevor Rickard and licensed for reuse under this Creative Commons Licence.


SX4481 : Quither by Jonathan Billinger
Quither

  © Copyright Jonathan Billinger and licensed for reuse under this Creative Commons Licence.


SS7104 : Zeal Monachorum: village by Martin Bodman
Zeal Monachorum

  © Copyright Martin Bodman and licensed for reuse under this Creative Commons Licence.


SS9823 : Shillingford by Steve Rigg
Shillingford

  © Copyright Steve Rigg and licensed for reuse under this Creative Commons Licence.


ST0937 : Stogumber Village by Nigel Chadwick
Stogumber

  © Copyright Nigel Chadwick and licensed for reuse under this Creative Commons Licence.


ST4862 : Daffs on the A38 by Adrian and Janet Quantock
Cowslipgreen

  © Copyright Adrian and Janet Quantock and licensed for reuse under this Creative Commons Licence.


ST6783 : Iron Acton by Chris Shaw
Iron Acton

  © Copyright Chris Shaw and licensed for reuse under this Creative Commons Licence.


SO8707 : Slad by Philip Halling
Slad

  © Copyright Philip Halling and licensed for reuse under this Creative Commons Licence.


SO9647 : Preaching Cross, Wyre Piddle by Terry Robinson
Wyre Piddle

  © Copyright Terry Robinson and licensed for reuse under this Creative Commons Licence.


SO7688 : Quatt Footpath by Gordon Griffiths
Quatt

  © Copyright Gordon Griffiths and licensed for reuse under this Creative Commons Licence.


SO6299 : Market Square, Much Wenlock by Carolyn Jones
Much Wenlock

  © Copyright Carolyn Jones and licensed for reuse under this Creative Commons Licence.


SJ6421 : Converted barns at Manor Farm, Great Bolas by Eirian Evans
Great Bolas

  © Copyright Eirian Evans and licensed for reuse under this Creative Commons Licence.


SJ8067 : The Swettenham Arms by Elliott Simpson
Swettenham

  © Copyright Elliott Simpson and licensed for reuse under this Creative Commons Licence.


SJ9993 : Broadbottom Village by Gerald England
Broadbottom

  © Copyright Gerald England and licensed for reuse under this Creative Commons Licence.


SE0008 : Diggle Bus Terminus by Paul Anderson
Diggle

  © Copyright Paul Anderson and licensed for reuse under this Creative Commons Licence.


SE0524 : Water Hill, Friendly by Paul Glazzard
Friendly

  © Copyright Paul Glazzard and licensed for reuse under this Creative Commons Licence.


SE0560 : Appletreewick by Malcolm Street
Appletreewick

  © Copyright Malcolm Street and licensed for reuse under this Creative Commons Licence.


SD8796 : Buttertubs Pass by Gerald England
Buttertubs Pass

  © Copyright Gerald England and licensed for reuse under this Creative Commons Licence.



SD9796 : Crackpot: view down Swaledale by Chris Downer
Crackpot

  © Copyright Chris Downer and licensed for reuse under this Creative Commons Licence.


NZ0102 : Booze by Gerald England
Booze

  © Copyright Gerald England and licensed for reuse under this Creative Commons Licence.


NZ0337 : Frosterley Quarry by Trevor Littlewood
Frosterley

  © Copyright Trevor Littlewood and licensed for reuse under this Creative Commons Licence.


NZ0449 : Muggleswick Village by Dennis Lovett
Muggleswick

  © Copyright Dennis Lovett and licensed for reuse under this Creative Commons Licence.


NT6113 : Farmlands at Ruletownhead by james denham
Ruletownhead

  © Copyright james denham and licensed for reuse under this Creative Commons Licence.



NT5931 : Dryburgh Abbey by Phil Catterall
Dryburgh

  © Copyright Phil Catterall and licensed for reuse under this Creative Commons Licence.




NT4360 : The village of Fala by Walter Baxter
Fala

  © Copyright Walter Baxter and licensed for reuse under this Creative Commons Licence.


NT1673 : Turnhouse Road Junction by Calum McRoberts
Turnhouse

  © Copyright Calum McRoberts and licensed for reuse under this Creative Commons Licence.


NT2386 : Burntisland by Kevin Rae
Burntisland

  © Copyright Kevin Rae and licensed for reuse under this Creative Commons Licence.


NO3926 : Wormit by Jim Bain
Wormit

  © Copyright Jim Bain and licensed for reuse under this Creative Commons Licence.


NO5364 : Tigerton Turn Off by Karen Vernon
Tigerton

  © Copyright Karen Vernon and licensed for reuse under this Creative Commons Licence.


NO6586 : The old and new bridges at Bridge of Dye by Nigel Corby
Bridge of Dye

  © Copyright Nigel Corby and licensed for reuse under this Creative Commons Licence.


NO4297 : Cambus o' May suspension bridge. by Peter Ward
Cambus o' May

  © Copyright Peter Ward and licensed for reuse under this Creative Commons Licence.


NJ2508 : Cock Bridge by Stanley Howe
Cock Bridge

  © Copyright Stanley Howe and licensed for reuse under this Creative Commons Licence.


NJ3239 : Dufftown by Anne Burgess
Dufftown

  © Copyright Anne Burgess and licensed for reuse under this Creative Commons Licence.


NJ2356 : Fogwatt by Anne Burgess
Fogwatt

  © Copyright Anne Burgess and licensed for reuse under this Creative Commons Licence.



NJ1252 : Dallas Main Street by Anne Burgess
Dallas

  © Copyright Anne Burgess and licensed for reuse under this Creative Commons Licence.


NH5052 : Urray Church by Andrew Wood
Urray

  © Copyright Andrew Wood and licensed for reuse under this Creative Commons Licence.


NH8094 : Fourpenny Cottage. by Des Colhoun
Fourpenny

  © Copyright Des Colhoun and licensed for reuse under this Creative Commons Licence.


NC8703 : Post box at Doll by Phil Williams
Doll

  © Copyright Phil Williams and licensed for reuse under this Creative Commons Licence.


ND2449 : Badlipster by david glass
Badlipster

  © Copyright david glass and licensed for reuse under this Creative Commons Licence.


ND3066 : Approaching Slickly by Phil Williams
Slickly

  © Copyright Phil Williams and licensed for reuse under this Creative Commons Licence.


ND3773 : John O'Groats Mill by Stanley Howe
John O'Groats

  © Copyright Stanley Howe and licensed for reuse under this Creative Commons Licence.


For more G posts visit ABC Wednesday.